The Ancient Gods have returned!
tempt·ress
/ˈtem(p)trəs/
noun
a woman who tempts someone to do something, typically a
sexually attractive woman who sets out to allure or seduce someone.
In the Biblical Account the temptress Delilah wooed and
seduced the hero Samson in a plot to steal his strength by shaving his head.
She was successful in her endeavors.
In the epic of Gilgamesh Gilgamesh, king of Uruk, abuses his people. In
response to complaints from the citizens, the goddess Aruru creates Enkidu in
the steppe. Abundantly hairy and primitive, he lives roaming with the herds and
grazing and drinking from rivers with the beasts. One day a hunter watches
Enkidu destroying the traps he has prepared for the animals. The hunter informs
his father, who sends him to Uruk to ask Gilgamesh for help. The king sends
Shamhat, a prostitute, who seduces Enkidu. After two weeks with her, he becomes
human, intelligent and understanding words, however the beasts flee when they
see him. Shamhat convinces Enkidu to face the tyrant Gilgamesh in combat.
The Goddess Inanna famously attempted to seduce Gilgamesh
King of Urak. He rejected her, infuriating the proud gods. In retribution she
unleashed the bull of heaven on Earth. The bull caused tremendous damage and
killed people until he was slain by Gilgamesh and the now civilized Enkidu.
Circe the Siren of Greek myth seduced the Trojan Hero Odysseus.
He spent a year on her isle before he was able to break free of her spell.
Lilith, the rebel turned demon of Abrahamic beliefs became a
succubus as she was fully corrupted. She survived by seducing been in the guise
of a beautiful temptress. Those who tell into her trap were drained of the life
force.
The Kemetic Goddess Nephthys yearned for a child but was
married to Set who rejected her. She seduced her sister Auset’s husband Ausar
and conceived the Under world god Anubis (Anpu).
Sopdet Sharp one
Associated: Sopdet Star (the Sirius), inundation of the Nile
Culture: North Africa Kemetic Egyptian
Cult Center: Per Sopdet
Period of Worship : predynastic peris through Greco-Roman
invasion
Consort Sah (Orion)
Offspring: Sopdu Venus
The Astral Goddess
Sopdet (Sepdet, Sothis) personified the 'dog star' Sirius.
This star was the most important of the stars to the ancient Egyptians.
SOPDET, or SIRIUS, is
the brightest of all the fixed, stars, and is regarded as the most important
star in the sky, in Kemetic Beliefs,
forming the astronomical foundation of their religious system,
delineating the rhythms, and cycles, by which they lived, and establishing its,
mysterious connection, with humanity.
The heliacal rising of this star came at the time of
inundation and the start of the Egyptian New Year.
As a goddess of the
inundation, she was a goddess of fertility. She also was linked to the pharaoh
and his journey in the afterlife.
In the mythology of the NTRs (who would latter be called
gods by the Greeks), the Sopdet star is their solar home. The source of not
only these enlightened being but was viewed as the ultimate source of knowledge.
This star can be seen from almost every inhabited region of Earths surface.
This celestial body was sacred to the Freemason and the
order of the Eastern star.
Even as early as the 1st Dynasty, she was known as 'the
bringer of the new year and the Nile flood'. When Sirius appeared in the sky
each year, the Nile generally started to flood and bring fertility to the land.
The ancient Egyptians connected the two events, and so Sopdet took on the
aspects of a goddess of not only the star and of the inundation, but of the
fertility that came to the land of Egypt with the flood. The flood and the
rising of Sirius also marked the ancient Egyptian New Year, and so she also was
thought of as a goddess of the New Year.
She is depicted as a nude figure wearing a conical white
crown of Lower Egypt surmounted by a star. Late in Egyptian mythology she
becomes largely syncretized with Isis.
heliacal rising of the bright star preceded the usual annual
flooding of the Nile.[8] It was therefore apparently used for the solar civil
calendar which largely superseded the original lunar calendar in the 3rd
millennium BC
During the Old Kingdom, she was an important goddess of the
annual flood and a psychopomp guiding deceased pharaohs through the Egyptian
underworld.
From the Middle Kingdom, Sopdet sometimes appeared as a god
who held up part of Nut (the sky or firmament) with Hathor.
She is also thought to be a guide in the afterlife for the
pharaoh, letting him fly into the sky to join the gods, showing him 'goodly
roads' in the Field of Reeds and helping him become one of the imperishable
stars. She was thought to be living on the horizon, encircled by the Duat.
‘When I have
bathed for the king, for the lord,
when I have
bathed for the shepherd Dumuzid (Dumuzi),
when I have
adorned my flanks (?) with ointment (?),
when I have
anointed my mouth with balsamic oil, when I have painted my eyes with kohl,
when he has ……
my hips with his fair hands,
when the lord
who lies down beside holy Inanna, the shepherd Dumuzid, has …… on his lap,
when he has
relaxed (?) …… in my pure (?) arms,
when he has
intercourse (?) with me …… like choice beer,
when he
ruffles my pubic hair for me, when he plays with the hair of my head,
when he lays
his hands on my holy genitals, when he lies down in the …… of my sweet womb,
2 lines
unclear
when he treats
me tenderly on the bed, then I will too treat my lord tenderly.
I will decree
a good fate for him!
I will treat
Culgi (King Shulgi), the good shepherd, tenderly!
I will decree
a good fate for him! I will treat him tenderly in his ……!
I will decree
the shepherdship of all the lands as his destiny!’ …
‘In battle I
will be the one who goes before you.
In combat I
will carry your weapon like a personal attendant.
In the
assembly I will be your advocate.
On campaign I
will be your encouragement.
You are a
shepherd chosen by holy …….
You are the
generous provider of E-ana.
You are the
pure (?) one of An’s Iri-gal.
You are worthy
of …….
You are one
who is entitled to hold high his head on the lofty dais.
You are one
who is worthy of sitting on the shining throne.
Your head is
worthy of the brilliant crown.
Your body is
worthy of the long fleecy garment.
You are worthy
of being dressed in the royal garb.
You are suited
to hold the mitum weapon in your arm. …
You are a fast
runner suited to race on the road.
You are worthy
to delight yourself on my holy breast like a pure calf.
May your love
be lasting!
An has determined
this for you, and may he never alter it!
May Enlil, the
decreer of fates, never change it!’
Maat – The Embodiment of Truth
The central concept of Egyptian cosmology and ethics was Maat.
The word Maat can mean truth justice righteousness or balance and cosmic law.
The primary duty of the Egyptian pharaoh or King was to be the champion of Maat.
to be sure that the kingdom was living in Maat.
The Goddess Maat became the personification of those principals.
Kings were frequently shown offering a miniature figure of Maat
to the chief deity of any particular temple. All daily rituals and sacrifices
would be deemed meaningless unless the King and his people were living righteously.
Judges and high officials wore images of
the goddess to signify that they were enforcing her laws.
Maat was also a part of the death of a soul and an integral
to the success of a soul passing through the Hall of the Two Truth where the
heart was weighed against the feather of Maat.
In the book of coming forth by day the Hall of two truths is
the place where souls of the dead come to be judged. The hearts of the dead
were weighed against a feather of Maat.
If like Ra, the dead person had Maat in his (her) heart the scales were balanced, and the deceased would be clear declared true or voice or justified. If the soul was heavy with untruth and misdeeds they were consumed by a great monster.
Maat was linked to Thoth who was the impartial judge who was
said to have put the laws of Maat into writing. This gave a divine precedent
for the many works of Egyptian literature that teach or debate how to live in Maat
in the real world.
Egyptians’ myth of the golden age include a period when Maat
was ruler of the world. she was sometimes said to have drawn in the heaven
because unrighteous nature of some men.
The goddess Maat was the beloved daughter of RA the creator
sun God. She travels with him in the solar baroque delighting his heart and “giving
him life to his nostrils”.
From the old Kingdom onward, Maat presence were thought to be vital to the
daily regeneration of the sun God. In underworld books she is often shown
standing close to Ra and both the day and night boats of the sun. This or the
dual nature of Egypt as two kingdoms may explain why Maat can appear as two
identical goddesses.
Goddess of cosmic order. Epitomizing the harmonious law of cosmic
order and truth.
She was recognized from at least the middle of the third
millennium and most likely much earlier.
Her only known sanctuary is in the Temple Complex Karnak at
Thebes.
Maat is depicted either in human form wearing an ostrich
plume on her head or by an ostrich feather alone.
The rulers of Egypt believed they were governed under her aegis
and referred to themselves as “beloved of Maat.
Sia the deification of thought
Culture: North African
Classification: Primal Deity
Associated: Creation, Wisdom Thought
was the deification of perception in the Heliopolitan Ennead
cosmogony and is probably equivalent to the intellectual energies of the heart
of Ptah in the Memphite cosmogeny. He also had a connection with writing and was
often shown in anthropomorphic form holding a papyrus scroll. This papyrus was
thought to embody intellectual achievements.
Sia is a deity belonging to the Heliopolitan Creation myth.
She represents “personification of mind” and “deification of wisdom” and she is
born from one drop of blood from Ra, the ancient Egyptian sun god. There exists
another god who is also born from one drop of blood from Ra, it is Hu and Hu is
the “deification of the word of creation”. Both Sia and Hu represents insight
and wisdom of Ra.
At the beginning of time, the god Atum emerged from the
swirling waters of chaos to stand on the first dry land, the primordial
ben-ben, to begin the act of creation.
The universe was created and given form by magical means,
and magic sustained both the visible and invisible worlds. Heka was thought to
have been present at creation and was the generative power Atum Ra drew upon in
order to create life.
To me belonged the universe before you gods came into being.
You have come afterwards because I am Heka" (Spell, 261).
Sia is the thought,
the idea the inspiration.
Hu is the execution of those idea through the spoken word.
Moreover, these three deities, Sia the Divine thought, Hu the
creative utterance, and Heka the generative force, accompany Ra to set the
order in the universe and maintain everything created. They are seen together
with the falcon-headed sungod standing in the sunboat as it travels across the
sky. This points to the mythical concept that every sunrise is equal to the
world being created anew.
Sia appeared standing on the solar barque during its journey
through the night in New Kingdom underworld texts and tomb decorations,
together with Hu, the "creative utterance," and Heka, the god of
magic. These gods were seen as special powers helping the creator, and although
Heka had his own cult Sia did not
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Seshat Goddess of Wisdom
Classification: NTR, Goddess
Culture: North African Kemetic/Egyptian Civilization
Associated: Writing, Recording, Mathematics
Seshat, goddess of wisdom, knowledge, and writing. Scribe of
the gods. Credited with the invention of writing and the alphabet.
Seshat was the goddess who measured and recorded the world.
As “Lady of Builders” she was the matron of architecture
astronomy and mathematics. Known as she who was foremost in the library.
Seshat usually wears a Panther skin a symbol of priestly
office. She sometimes carries a palm frond carved with notches to mark the
passing of years.
As a goddess of writing session was the keeper of Royal
annals and genealogies. She was shown recording the booty game by Kings and
battle perhaps as a reminder that a share was due to the gods.
Seshat was even said to descend into the underworld to
record everything in the realm of the dead. From his early as the second
dynasty she was shown assisting Kings to layout the foundations for temples and
align them with the stars and planets.
In the divine realm Seshat
was in charge of building and the
mansions of the gods. She was sometimes assisted in this task by the gods of
sight and hearing.
Seshat also built mansions in the West for the fortunate
dead. She was occasionally identified as an aspect of the goddess Nephthys. In
the coffin texts sextette is said to be angry at a child she gives birth to just
as later tradition made Nephthys reject her son Anubis. And another coffin text
Thoth ans Seshat bring writing to a man
in the realm of the dead. These writings were spells that would help the dead
person to Vanquish terrors of the underworld and become a powerful spirit.
She is the sister to the lion headed goddess Bast
In later mythologies she is said to be the scribe of Hatshepsut
the 18th dynasty female Pharaoh.
Her mysterious headdress consists of a 7 pointed star or
seven petaled flower which is associated with the cannabis plant.
In it is written that Seshat opens the door to heaven for
you, is often translated as reference to the psychotropic effects of the
cannabis plant.
"Cannabis is mentioned as a medication in the following
ancient Egyptian medical texts: Ramesseum III Papyrus (1700 B.C.E.), Eber’s
Papyrus (1600 B.C.E.), the Berlin Papyrus (1300 B.C.E.), and the Chester Beatty
VI Papyrus (1300 B.C.E.). The Eber’s Papyrus is the oldest known complete
medical textbook in existence. Most scholars believe that it is copy of a much
earlier text, probably from around 3100 B.C.E."
A thus a modern veneration for the Goddess persist.
Ahura Mazda wise lord
Classification: The Supreme God
Associated: Light, Wisdom
Culture: Ancient Persian
Known period of worship Circa 1500 BCE
Cult Centers: Throughout the Near East during the Persian
and Roman Empires.
Art References : Various Sculptures and reliefs
Literary Sources: Avestia
\
Ahura Mazda represented the Sky and embodied wisdom
fruitfulness and benevolence his opponent and also his creation was Angra Mainyu
God of darkness and sterility.
There were other deities,
but life was essentially a struggle between the two gods of good and evil. In
the 7th or 6th century BC E the Prophet Zoroaster the founder of Zoroastrianism
declared Ahura Mazda alone worthy of absolute worship. Ahura Mazda was the
essence of beneficent nature. creator of heaven and earth the font of law and
morality and Supreme judge of the
universe .
When he was 30 he participated in a spring festival as a
member of a priestly family and one of his duties was to draw water from the
deepest and purest part of the stream for the morning ceremony. Here at the
Daytia river, he met the angel Vohu Mana.
The entity asked
Zoroaster who he was and what was the most important thing in his life. To
which Zoroaster answered that he wanted most of all to be righteous, pure and
wise. By this answer, he was granted a vision of Ahura Mazda and his archangels
from whom he learned the principles that would lead to the religion known late
as Zoroastrianism.
He becomes the god of light and truth in the Zoarastrian
concept of Dualism.
His chief attendant was Mithras. According to myth his first
creation was a wild bull. It had to be confided to a cave to control the beast.
It escaped and Mitra was tasked with finding filling the animal. When the beast was slain it blood fell to the Earth
and created life
He becomes the god of light and truth in the Zoarastrian
concept of Dualism. His offspring include Could have been a love child Gayomart
the archetype male.
Beyond, apart and without him, there is nothing in
existence. He is changeless, moving all while not being moved by anyone, has no
equal, and no one can take the heavens from him. He favors the just man,
upholding the truth and proper behavior. Ahura Mazda created the twin spirits,
Angra Mainyu, the destructive spirit, and Spenta Meynu, the good spirit.
Ishologu
Undead servant of whicthes typically brought back to live as
revenge.
Impundulu
Asanbosam
Classification: Mythological
Creature Demon
Culture Ghana and Togo
Asanbosam is a parasitic creature of African Mythology. It
belongs to the folklore of the Akan of southern Ghana, Togo and 18th century
Jamaica from enslaved Akan.
The Asanbosam are creatures of the night, and typically avoid
or even fear the bright sun The Asanbosam resides in the trees and forest
feeding primarily on those who roam by means of its domain. They wait silently
in tree, by their curves and hooked feet and catch its prey unaware.
It is said to have
iron teeth, pink skin, long red hair and iron hooks for feet.
I has large blood-shot eyes, long legs, and feet pointing
both ways. Its favorite trick is to sit on the high branches of a tree and
dangle its legs to entangle the unwary hunter.
Some are more aggressive hunters and will seek to infiltrate
human dwellings and steal away with small children. They can be bold in the
dusk hours, as from a distance they can appear to be more human.
The Asanbosam feed on the life essence of its human victims
although it may consume the flesh and organs as well. Its is said that they are
cursed or soulless human, they can only sustain themselves by draining the essence
of others.
These creatures can be killed with normal weapons although
they are noted to particular strong and fast.
Sopona Bringer of Small Pox
Classification: Orisha
Culture: West African Yoruba, Dahomean Religion, Afro-Brazilian
Associated: Small pox
Sopana is said to be the true name of the Orisha Babalú-Ayé,
He has dominion over all skin ailments, major and minor, as well as infectious
and viral diseases. He controls all illnesses that manifest on the skin, like
measles or chicken pox. Babalu Ayé has emerged as the spirit of AIDS and the
patron who protects those suffering from this illness. He owns all secrets of
death, disease, and cemeteries. who is a patron for those who are suffering. He
is the embodiment of both disease and cures.
When he was angered his true name Sopona is used. Because of
the nature of this Orisha, priesthood was highly controlled and only a priest
could use his real name.
people of this religion believed that if the priests were
angered, they were capable of causing smallpox outbreaks through their intimate
relationship with Shapona.
After the British invasion of the Gold Coast worship and
priesthood of Sopona was banned.
In Dahomean religion Sopono is known as Sakpata, Shakpana or
similarly Sopono. He is the divinity of smallpox and can inflict both insanity
and disease on humans.
Sopona is known in the Afro-Brazilian tradition of Candomblé
as Sakpata or Sakpata-Omolu in the (Jejé nation). He is associated with the
colors red, black, and white, as in Africa. Insects associated with him are
Sakpata-Omolu beetles, black butterflies, flies, and mosquitoes. A skirt and
hood made of straw that covers the entire body is the clothing associated with
Sakpata-Omolu followers and worship.
In the Trinidad Orisha tradition, Sopona is known as
Shakpana, and is similarly a ferocious god associated with healing smallpox.
The cup of Eternity
Classification: Sacred Object
Associated: immortality, longevity
Also Known As: the Holy Grail, The Cup of Life, The Serpent
Grail
Culture: Hindu. Indian Sub Continent, Christianity (Europe) ,
Eastern Philosophy myth of China and Korea
Literature: Aramahansa
Yogananda’s poem, “The Cup of Eternity”. Medieval folk lore
. . . The deathly thirst so fleshly born
Shall parch his soul, oh, ne'er again!
The cup he'll drink, but not the bane,
To quench his thirst and bliss attain.* . . .
aramahansa Yogananda’s poem, “The Cup of Eternity” speaker
is dramatizing the spiritual longing, metaphorically describes as “thirst,”
which can by quenched only by God-realization through gaining awareness of the
soul within the physical and mental encasements.
Cacoch
Classification: Creator God
Culture: Mayan Classic Mesoamerican
According to tradition he engendered the water lily from
which sprang the other deities of the Mayan Pantheon . The ancient Maya had over 150 Gods in their
complex religion, each with clearly defined characteristics and purposes
Zamn the lord of Heaven
Chac god of rain
Ah Mun god of Corn and agriculture
Ah Puch god of death
Ek Chuah the god of war