The Ancient Gods have returned!

Articles by "Kemetic Deities"


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#Kemet Geb also has the standard powers of a god although his specialty is earth magic. #Geokinesis: As the God of #Earth, he has divine and absolute control of the earth. He has created the earth's landforms and has the power to easily destroy them on a whim. #mythology #Marvel #DC #Kemet














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the Goddess Neith in Her form of winged Uraeus with the tail wrapped around a papyrus stem; She wears the Solar disk and spreads Her wings in protection.

Between Her wings, the 'Uas'-scepter, the 'shen'-ring, and the 'Udjat'-Eye upon a basket.

Detail from the coffin (gessoed and painted sycamore fig) of Bakenmut, priest of the God Amon at 'Uaset'-Thebes during the late XXI Dynasty (ca. 1070-945 BCE)-early XXII Dynasty (ca. 945-712 BCE).

Now in the Cleveland Museum...


Set, also known as Seth and Suetekh, was the Egyptian god of war, chaos, and storms, brother of Osiris, Isis, and Horus the Elder, uncle to Horus the Younger, and brother-husband to Nephthys. His other consort was the goddess Tawaret, a hippo-headed deity who presided over fertility and childbirth.

 

He is one of the first five gods created by the union of Geb (earth) and Nut (sky) after the creation of the world. His name is usually translated as "instigator of confusion" and "destroyer" and he was associated with disorder, foreign lands and people, and the color red.

 

He is sometimes depicted as a red-haired beast with a forked tail and cloven hooves or a shaggy red dog-like beast known as a sha (or, to modern-day scholars, as the Set Animal) which some scholars claim was modeled on the Saluki breed while others maintain was a purely mythological creature imagined specifically to represent Set whose other symbols were the griffin, hippopotamus, crocodile, and tortoise (though he was primarily associated with the serpent). His epithets include "Lord of the Desert" and "Ruler of the South" as he was originally a god of Upper Egypt (the south) and the barren lands beyond Egypt's borders.

 

 In the Early Dynastic Period of Egypt Circa  3150 bce to 2613 BCE.  he was an important - and benevolent - god of Upper Egypt whose name was invoked for love spells and inscribed on amulets which served as love charms. He was also the deity who saved the sun god Ra from the serpent Apophis, an evil creature who tried to stop the sun god's journey through the night sky toward dawn.


Anubis is the ancient Egyptian god of mummification and the afterlife. He is often depicted as a jackal-headed or a man with a jackal head.

Now in India the Jackal was considered to be a very evil creature as it was a scavenger often of dead bodies. But during this time in ancient kemet it was associated with a more natural aspect of death and thus was embraced even revered.

Anubis was responsible for the protection of the dead and the deceased's journey to the afterlife. He was also the god of funerary rites and embalming, and was often depicted in funerary art, such as tomb paintings and funerary statues. 


Heh is a primordial deity and one of the eight Ogdoad. He is coupled with Hauhet  and is deppictred as having the head of a frog, common in Ogdoad mythology, the the pair epitomized the concept of humanity Infinity. He is often depicted greeting the rising sun in the guise of a baboon. In other contexts he is depicted kneeling frequently on a basket he represents the meta nature symbol for universality. He may carry the UNC or hold the palm rubs in each hand


Hathor the Kemetic/Egyptian Goddess of Beauty and War is Hathor was often depicted as a cow, symbolizing her maternal and celestial aspect, although her most common form was a woman wearing a headdress of cow horns and a sun disk. Hesat is an ancient Egyptian goddess in the form of a cow. She was said to provide humanity with milk (called "the beer of Hesat") and in particular to suckle the pharaoh and several ancient Egyptian bull gods. In the Pyramid Texts she is said to be the mother of Anubis and of the deceased king.


The two Horus of Kemetic/Egyptian mythology

 

 

 

Horus was the celestial Falcon and the embodiment of kingship. The conflict between Horus and Seth the two Lords was an enduring theme an Egyptian mythology.

The name Horace translates to meaning the distant one  but there were two main forms of Horace that appear in Kemetic mythology.

These are sometimes regarded as separate gods belonging to completely different  epox but sometimes has aspects of the same deity.

Horace the great or Horace the elder was a primeval being who initiated creation. As Lord of the Sky his wingspan the heaven, and his eyes were the sun and the moon. This Horus was the son of a Sky goddess either Nut or Hathor. Horace the younger was the son of Isis or Auset who grew up to avenge his murder father who was Osiris and take his place as the ruler of Kemet.

He was usually shown as a Falcon headed man. He represented Kingship Each King of Egypt was acclaimed as a living Horus.

Egypt's earliest Kings were shown as Hawks praying on their enemies. Many Egyptian deities could be represented by birds of the Hawk family. The hawk the cult of some of these gods such as Nekheny  were gradually assimilated with that of Horus.

One of the earliest divine images known from image from Egypt is that of a Falcon in a barque. This represents Horus as a star or planet crossing the winding waterway of the Sky. And later text paint a dazzling picture of “the one of dappled plumage who opened his eyes to dispel both darkness and chaos”.

Like other primary primeval deities the celestial Falcon coalesce with the creator son God.

He then became Ra Horakthy meaning Ra Horace of the double horizon. He  Who triumphed over his enemies to rise in the East. The union of these two powers could be symbolized by a Falcon Crowned with the sun disk or a sun disk with a falcon's wings.

When a King appeared to his subjects it was compared with the glorious rising of Horace in the horizon. The two Lords, Horus and Seth were depicted either as brothers or as nephew uncle.  Many theories have advanced to explain the origins of their combat from memories of an ancient civil War Two observations of storms or astronomical phenomenon.

When the combatants are Horace the elder the celestial Falcon and set the chaotic God of storms the conflict seems to belong to the primeval age 1 opposing element come together to create a divine order. Thus order dominating chaos.

 

The necessity of Horus and Seth being reconciled is stress in many sources. one of the key images of Royal art was Horus the Uniter Set tying together the plant of upper and lower Kemet to symbolize the union of the two lands into one perfect Kingdom.

although the figure is sometimes replaced with Thoth indicating that Set’s role as the Slayer of Osiris could not be overlooked.

 

When the great conflict is presented as a dynastic feud between young Horace and his usurper uncle.

Horace must triumph and Seth must be punished so that just kingship can be established for humanity. Horace who was son of Isis was destined to be King from the moment of conception his epitaph Horus who is upon the papyrus alludes to the myth that Auset hid the infant Horace in the papyrus thickets of a hidden island among the Marshes. The nest of Horace was guarded by divine beings such as a cow and scorpion goddess.

The young Horace grew up to become “the pillar of his mother” and “the Avenger of his father”.

 

 Advised by isis Horus fought Seth in many different ways. He turn set sexual aggression to his own advantage and overcame the temporary loss of power in his eye . Horace argued his father's case before the divine tribunal led by Geb.

Osiris is granted sovereignty over the dead and Horace over the living .

Horace the devoted son becomes the prototype for all funerary priests and performs a series of rituals to rise up Osiris. He also becomes an intermediary between the world of the living and the dead.

Horace is shown in the book of coming forth by day presenting  deceased souls before the throne of Osiris. The reign of Horus as King of Egypt was considered the model for all subsequent rains. The semi divine Kings who came after him in mythological history were called the followers of Horus

 In a few magical test text a scorpion goddess called Ta Bitjet is called the wife of Horus.

 A passage in the coffin text makes Horus the elder and his sister Isis the parents of four protective deities known as the sons of Horus. A festival at Edfu temple celebrate the beautiful union between Horus and Hathor the lady of Dendera. Here Horace is an aspect of the sun God uniting with the goddess to renew the cosmos.

.A mythical history of temples relates how to mysterious being subdued the primeval swamp by cutting down reads. When they struck a Reed in the ground it became a perch for the celestial Falcon, Horus the Elder.

 

The Reed Hut built to house the Falcon was set to be the center of the world and the first temple.

 

In the legend of the wing disc Horace the distant one takes the role usually given to the distant goddess and transforms himself into a fiery disc to blind and destroy the sun God's enemies. In the ritual drama known as triumph of Horace. Horus the son of Isis harpoons Seth in his hippopotamus form. After a series of battles by land and water he drives Seth and his followers out of Egypt just  as the Egyptian Kings hoped to drive out foreign invaders.


 

Hequet Goddess of the Primeval slime

She who hastens the birth

Classification: Goddess

Culture: Kemetic/Egyptian

Associated: Birth, Rebirth  

 

Heqet is a frog goddess who helped women to give birth and the dead to be reborn. The knife wielding frog shown on ivory wants or probably hack at in her role as defender of women and children.

The beginning of her cult dates to the early dynastic period at least. Her name was part of the names of some high-born Second Dynasty individuals buried at Helwan and was mentioned on a stela of Wepemnofret and in the Pyramid Texts. Early frog statuettes are often thought to be depictions of her.

Hackett mistress of joy was among the followers of the Inundation God Hapi when he brought the new life of Egypt each year.

 

Egyptians believed that frogs were spontaneously generated from the mud left by the receding Nile flood. Heqet it came to be worshipped as the goddess of the primeval slime who gave birth to the sun God.

 

She was regarded as a female counterpart to the creator God canoe and the two are linked in a middle Kingdom Royal birth myth.

 

The sun God RA sends a group of deities to assist a woman name Ruddaddet giving birth to three children who were destined to be Kings . 4 goddesses Isis, Nephthys, Meskhenet, and Hequet disguise themselves as dancing girls while canoe pretends to be their servant.

At the House of Ruddadet her distraught husband asked him for help because his wife's labor is so painful and difficult.

The deities locked themselves in the room with Ruddadet and Hequet hastens the birth of the Royal triplets.

Isis names the children,  Meskhennet predicts their fate Khnum make, some strong and healthy.

The beauties create three crowns for the triplets and hide them in a sack of Burley before returning to their divine realm.

The story implies that the children were sired by RA and they grow to be the sun worshipping Kings of the 5th dynasty.

In new Kingdom Royal birth myths Hequet gives life to the body and Ka  of the Royal infant shaped on the Potter's wheel of Khnum. And temples of the first Millennium BCE known assisting goddess is giving birth to divine children.

At Abydos Haquet was revered for helping Isis bring Horus into the world and for assisting the murdered God Osiris to be reborn. All Egyptians hoped that after they died Hequet would act as a divine midwife to their rebirth.


Barque of Millions

 

Solar barques were the vessels used by the sun god Ra in ancient Egyptian mythology. During the day, Ra was said to use a vessel called the Mandjet or the Boat of Millions of Years, and the vessel he used during the night was known as the Mesektet.

 

Ra was said to travel through the sky on the barge, providing light to the world. Each twelfth of his journey formed one of the twelve Egyptian hours of the day, each overseen by a protective deity. Ra then rode the barque through the underworld, with each hour of the night considered a gate overseen by twelve more protective deities. Passing through all of these while fending off various destructive monsters, Ra reappeared each day on the eastern horizon. He was said to travel across the sky in the Mandjet Barque through the hours of the day, and then switch to the Mesektet Barque to descend into the underworld for the hours of the night.

 

The progress of Ra upon the Mandjet was sometimes conceived as his daily growth, decline, death, and resurrection and it appears in the symbology of Egyptian mortuary texts.

 

The Underworld Journey of Ra

1st gate: Sia, deification of perception,  standing on the prow of the sun boat, invites a snake called "Desert-Protector" to unlock the gate to the arrival of Ra who, in the form of the god Atum (deification of the sunset sun , observes his enemies being massacred.

 

2nd gate: the guardian god is called "Swallower Of Sinners" and his gate precedes a lake of fire.

 

3rd gate: its guardian snake is "Stinger" while the portal itself is the goddess "Mistress Of Food"; some jackals watch over the "Lake of Life" interdicted to the dead because it is the place where Ra draws his breath.

4th gate: some deities carry ropes to measure the extension of the netherworld fields — as well as, in the daily life of the Egyptians, the measurement of the fields was carried out for tax purposes; this is also where the four human ethnic groups (according to the Egyptians) were depicted: the "cattle of Ra", i.e. Egyptians themselves, Levantines, Libyans and Nubians.

 

5th gate: this gate is the goddess "Lady Of Duration" while its guardian serpent is "Flame-Eyed"; this access is inhabited by the perfidious demon Apep — embodiment of evil and chaos (Isfet), bitter enemy of Ra  — here called "Evil Of Face". 20 deities manage to stem his devastating power by continuing to dissect it, while the heads of those he devoured emerge from his coils. The sun boat moves on and Ra leaves this dramatic region.

 

6th gate: Ra's boat approaches to seven jackal-headed poles with two enemies bound to each one, waiting to be beheaded.

 

7th gate: this gate is the goddess "Shining One" and beyond it there are 20 gods holding a rope ending in four whips, four falcon heads and four human heads.

 

8th gate: this access is inhabited by a flaming snake who burns up the enemies of Ausar.

 

9th gate: here stand Horus and Set on a hawk-headed lion.

 

10th gate: Apep appears again, but chained in order not to harm Ra in his transit.

 

11th gate: this gate is called "Mysterious Of Approaches" and is overseen by the cat-headed god Meeyuty (meow onomatopoeia).

 

12th gate: here stand the goddesses Isis and Nephthys in the form of snakes: the journey through the gates of the afterlife is finished and the sun rises on the world in the form of a sacred scarab (Khepri, deification of the morning sun.

 

 


#WarGod #GodOfWar #EgyptianMyth Apedemak The War God Of Kush Classification God: Culture: Meroe of the Sudan, Nubia, Kush Apedemak or Apademak was a lion-headed warrior god worshiped by the Meroitic peoples inhabiting Nubia. In the temple of Naqa built by the rulers of Meroe, Apedemak was depicted as a three-headed leonine god with four arms[1] and as a snake with a lion head. However, he is usually depicted as a man with a lion head.

Sopdet  Sharp one

Associated: Sopdet Star (the Sirius), inundation of the Nile

Culture: North Africa Kemetic Egyptian

Cult Center: Per Sopdet

 

Period of Worship : predynastic peris through Greco-Roman invasion

Consort Sah (Orion)

Offspring: Sopdu Venus

The Astral Goddess

Sopdet (Sepdet, Sothis) personified the 'dog star' Sirius. This star was the most important of the stars to the ancient Egyptians.

SOPDET,  or SIRIUS, is the brightest of all the fixed, stars, and is regarded as the most important star in the sky, in Kemetic Beliefs,  forming the astronomical foundation of their religious system, delineating the rhythms, and cycles, by which they lived, and establishing its, mysterious connection, with humanity.

The heliacal rising of this star came at the time of inundation and the start of the Egyptian New Year.

 

 As a goddess of the inundation, she was a goddess of fertility. She also was linked to the pharaoh and his journey in the afterlife.

In the mythology of the NTRs (who would latter be called gods by the Greeks), the Sopdet star is their solar home. The source of not only these enlightened being but was viewed as the ultimate source of knowledge. This star can be seen from almost every inhabited region of Earths surface.

 

This celestial body was sacred to the Freemason and the order of the Eastern star.

Even as early as the 1st Dynasty, she was known as 'the bringer of the new year and the Nile flood'. When Sirius appeared in the sky each year, the Nile generally started to flood and bring fertility to the land. The ancient Egyptians connected the two events, and so Sopdet took on the aspects of a goddess of not only the star and of the inundation, but of the fertility that came to the land of Egypt with the flood. The flood and the rising of Sirius also marked the ancient Egyptian New Year, and so she also was thought of as a goddess of the New Year.

She is depicted as a nude figure wearing a conical white crown of Lower Egypt surmounted by a star. Late in Egyptian mythology she becomes largely syncretized with Isis.

 

heliacal rising of the bright star preceded the usual annual flooding of the Nile.[8] It was therefore apparently used for the solar civil calendar which largely superseded the original lunar calendar in the 3rd millennium BC

 

During the Old Kingdom, she was an important goddess of the annual flood and a psychopomp guiding deceased pharaohs through the Egyptian underworld.

 

From the Middle Kingdom, Sopdet sometimes appeared as a god who held up part of Nut (the sky or firmament) with Hathor.

 

She is also thought to be a guide in the afterlife for the pharaoh, letting him fly into the sky to join the gods, showing him 'goodly roads' in the Field of Reeds and helping him become one of the imperishable stars. She was thought to be living on the horizon, encircled by the Duat.

 

 

 

 


 

Sia the deification of thought

Culture: North African

Classification: Primal Deity

 

Associated: Creation, Wisdom Thought

was the deification of perception in the Heliopolitan Ennead cosmogony and is probably equivalent to the intellectual energies of the heart of Ptah in the Memphite cosmogeny. He also had a connection with writing and was often shown in anthropomorphic form holding a papyrus scroll. This papyrus was thought to embody intellectual achievements.

Sia is a deity belonging to the Heliopolitan Creation myth. She represents “personification of mind” and “deification of wisdom” and she is born from one drop of blood from Ra, the ancient Egyptian sun god. There exists another god who is also born from one drop of blood from Ra, it is Hu and Hu is the “deification of the word of creation”. Both Sia and Hu represents insight and wisdom of Ra.

 

At the beginning of time, the god Atum emerged from the swirling waters of chaos to stand on the first dry land, the primordial ben-ben, to begin the act of creation.

 

The universe was created and given form by magical means, and magic sustained both the visible and invisible worlds. Heka was thought to have been present at creation and was the generative power Atum Ra drew upon in order to create life.

To me belonged the universe before you gods came into being. You have come afterwards because I am Heka" (Spell, 261).

Sia  is the thought, the idea the inspiration.

 

Hu is the execution of those idea through the spoken word.

 

Moreover, these three  deities, Sia the Divine thought, Hu the creative utterance, and Heka the generative force, accompany Ra to set the order in the universe and maintain everything created. They are seen together with the falcon-headed sungod standing in the sunboat as it travels across the sky. This points to the mythical concept that every sunrise is equal to the world being created anew.

 

Sia appeared standing on the solar barque during its journey through the night in New Kingdom underworld texts and tomb decorations, together with Hu, the "creative utterance," and Heka, the god of magic. These gods were seen as special powers helping the creator, and although Heka had his own cult Sia did not


 #Ebony #african #africanswaName: Th’uban the Great Dragon  Classification: Dragon  Associated: Evil Culture: Islamic https://youtu.be/ULpT-wIF7L4 #model #awesome #black #panafricanism


Seshat Goddess of Wisdom

Classification: NTR, Goddess

Culture: North African Kemetic/Egyptian Civilization

Associated: Writing, Recording, Mathematics

 

Seshat, goddess of wisdom, knowledge, and writing. Scribe of the gods. Credited with the invention of writing and the alphabet.

 

 

Seshat was the goddess who measured and recorded the world.

As “Lady of Builders” she was the matron of architecture astronomy and mathematics. Known as she who was foremost in the library.

Seshat usually wears a Panther skin a symbol of priestly office. She sometimes carries a palm frond carved with notches to mark the passing of years.

As a goddess of writing session was the keeper of Royal annals and genealogies. She was shown recording the booty game by Kings and battle perhaps as a reminder that a share was due to the gods.

 

Seshat was even said to descend into the underworld to record everything in the realm of the dead. From his early as the second dynasty she was shown assisting Kings to layout the foundations for temples and align them with the stars and planets.

 In the divine realm Seshat  was in charge of building and the mansions of the gods. She was sometimes assisted in this task by the gods of sight and hearing.

Seshat also built mansions in the West for the fortunate dead. She was occasionally identified as an aspect of the goddess Nephthys. In the coffin texts sextette is said to be angry at a child she gives birth to just as later tradition made Nephthys reject her son Anubis. And another coffin text Thoth ans Seshat  bring writing to a man in the realm of the dead. These writings were spells that would help the dead person to Vanquish terrors of the underworld and become a powerful spirit.

 

She is the sister to the lion headed goddess Bast

 

In later mythologies she is said to be the scribe of Hatshepsut the 18th dynasty female Pharaoh.

 

Her mysterious headdress consists of a 7 pointed star or seven petaled flower which is associated with the cannabis plant.

In it is written that Seshat opens the door to heaven for you, is often translated as reference to the psychotropic effects of the cannabis plant.

"Cannabis is mentioned as a medication in the following ancient Egyptian medical texts: Ramesseum III Papyrus (1700 B.C.E.), Eber’s Papyrus (1600 B.C.E.), the Berlin Papyrus (1300 B.C.E.), and the Chester Beatty VI Papyrus (1300 B.C.E.). The Eber’s Papyrus is the oldest known complete medical textbook in existence. Most scholars believe that it is copy of a much earlier text, probably from around 3100 B.C.E."

A thus a modern veneration for the Goddess persist.

Anti – One who Travels

Classification: Neter/God

Culture: North African Kemetic/Egyptian

Associated: Travel , Ferrymen

 

 

A Guardian deity associated with Egyptian upper kemit seems to have been a associated as Horus was

His main role is one of the protectors of the eastern Sky in which sun rises.

Anti is best known from coffin text circa 2000bce.

His worship is quite ancient, dating from at least the 2nd dynasty, at which point he already had priests dedicated to his cult. Originally, Anti appears to have been the patron of the ancient area around Badari, which was the centre of the cult of Horus.

He is depicted as a falcon or a human with a falcon’s head.

 

he became considered simply as the god of ferrymen, and was consequently depicted as a falcon standing on a boat, a reference to Horus, who was originally considered as a falcon. As god of ferrymen, he gained the title Nemty, meaning (one who) travels. His later cult centre Antaeopolis was known as Per-Nemty (House of Nemty).

 

Anti appears in the tale The Contendings of Horus and Seth which describes the settlement of the inheritance of Osiris, seen as a metaphor for the conquest of Lower Egypt by Upper Egypt (whose patron was Seth), at the beginning of the Old Kingdom.

 

In this tale, one of Seth's attempts to gain power consists of his gathering together the gods, and providing good arguments, convincing all of them (in later traditions, all except Thoth). Set fears magical intervention by Isis, Horus' wife (in early Egyptian mythology), and so holds the gathering on an island,

 

instructing Anti not to allow anyone resembling Isis to be ferried there. However, Isis disguises herself as an old woman, and unknowingly Anti takes her across after being paid a gold ring, having rejected the first offer of gruel, resulting in the disruption of the council by her use of magic.

 

Anti is punished for his error, by having his toes cut off, which is more severe than it appears, since as a falcon, he would no longer be able to perch.

 

He would be appropriated into Greek myth as Antaeus.


Wadj- Wer the mighty green Classification: God/Neter Culture/Region: Kemetic/Egyptian North African Nile River Valley Associated: The Nile, Fertility Represented in an androgynous form with an emphasized breast and a belly indicative of pregnancy, Wadi Wer is clearly associated with procreation and prosperity. Water signs are carved across his body suggesting the rich fishing in the Delta lakes.

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