9 World Chronicles

Erzulie Dantor – Voodoo Goddess of love romance, art, jealously, passion and sex.

Classification: Loa/Goddess

Cultural Origins: Haitian Voodoo

Associated: Love Romance Beauty, love, art, passion and sex

Dantor is the patron loa of lesbian women, fierce protector of women experiencing domestic violence and patron loa of New Orleans. Beauty, love, and sensuality are Her Creations. Emotions are what link Her to the endless reservoir of universal creativity.

“She has tribal scars on Her cheek, and is considered heterosexual because She has children, but She is also the patron loa of lesbian women. Thus, She loves women fiercely, and will defend them to the death. She loves knives and is considered the protector of newly consecrated Voodoo priests and priestesses, as well as of women and children who are victims of domestic violence, and women who have been betrayed by a lover.

She is highly respected and much feared due to Her Woman Power. Most Haitian women serve Dantor, and she is also the patron loa of New Orleans and so she is served by many there as well. She also supports independent business women and is the patron of women’s finances. Many women invoked Erzulie Dantor against their partners (male or female) should they become violent. And enlightened men also serve Dantor, especially men who honor, love and respect women.”

The relevance of the water deity is held in high regard in almost every culture. Water is  life, fertility and renewal.

Water deities may manifest in oceans rivers, brooks, streams or flask.

They can be wise and gentle, or volatile and tempestuous.

Creatures of the sea have been vile terrors and divine teachers.

Benin

Ezili, goddess of sweet water, beauty, and love.

Dogon

Nommos, amphibious spirits that are worshiped as ancestors.

Serer

Mindiss (or Mindis) is not a deity in Serer religion, but a pangool with goddess–like attributes. She is a female protector of the Fatick Region. Offerings are made in her name at the River Sine. She appears to humans in the form of a manatee

Yoruba

Oshun, a river orisha.

Olokun, an ocean orisha.

Yemoja, a river orisha and ocean orisha as well in new world Yoruba religions.

Lugandan

Sezibwa, goddess of the Sezibwa River.

Batonga Nyami Nyami, a river spirit of the Batonga of Zambia and Zimbabwe.

Kongo

Bunzi, goddess of rain, rainbow and waters.

Funza, goddess of waters, twin phenomenon and malformations in children. Wife of Mbumba.

Kimbazi, goddess of sea storms.

Kuitikuiti, serpent god of Congo river.

Lusunzi, god of spring and waters.

Mamba Muntu, goddesses of waters and sexuality.

Makanga.

Mpulu Bunzi, god of rain and waters.

Mundele, albino gods of the sea.

Simbi dia Maza, nymphs or goddesses of waters, lakes and rivers.

Canaanite

Yam (god), god of the sea.

Egyptian

Anuket, goddess of the Nile and nourisher of the fields.

Bairthy, goddess of water and was depicted with a small pitcher balanced on her head, holding a long spear-like sceptre.

Hapi, god of the annual flooding of the Nile.

Khnum, god of the Nile.

Nephthys, goddess of rivers, death, mourning, the dead, and night.

Nu, uncreated god, personification of the primordial waters.

Osiris, god of the dead and afterlife; originally a god of water and vegetation.

Satet, goddess of the Nile River's floods.

Sobek, god of the Nile river, depicted as a crocodile or a man with the head of a crocodile.

Tefnut, goddess of water, moisture, and fertility.

Hebrew

Leviathan, sea serpent.

Mesopotamian

Abzu, god of fresh water, father of all other gods.

Enbilulu, god of rivers and canals.

Enki, god of water and of the river Tigris.

Marduk, god associated with water, vegetation, judgment, and magic.

Nammu, goddess of the primeval sea.

Nanshe, goddess of the Persian Gulf, social justice, prophecy, fertility and fishing.

Tiamat, goddess of salt water and chaos, also mother of all gods.

Sirsir, god of mariners.

Buk – the daughter of the Fireflies

Classified as a goddess or guardian spirit.

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Culture : Nuer of the Sudan

Associated: River

A guardian against attack by  crocodiles.  Her protection is invoked by the ritual sacrifice of a goat,

She is typically  depicted as beautiful woman with

She’s the mother of Deng, who is the creator god in this mythology. As well as Candit and Nyaliep, both of whom are river deities.

The role of a river of water goddess is very important in its role in creation. AS the mother of the creator god the water is thus the source of the creation of life.

The river its self if of particular important inn the foundation of human settlements and essentially human civilization.

But with the benefits of the river come the danger.

The West African crocodile inhabits much of West and Central Africa, ranging east to South Sudan and Uganda, and south to Democratic Republic of the Congo (Other countries where found include Mauritania, Benin, Liberia, Guinea-Bissau, Nigeria, Niger, Cameroon, Chad, Sierra Leone, Central African Republic, Equatorial Guinea, Senegal, Mali, Guinea, Gambia, Burkina Faso, Ghana, Gabon, Togo, Ivory Coast and Republic of Congo.

Mauritanian traditional peoples who live in close proximity to West African crocodiles revere them and protect them from harm. This is due to their belief that, just as water is essential to crocodiles, so crocodiles are essential to the water, which would permanently disappear if they were not there to inhabit it.

Hakea

Classification: evil (rejected spirit)/ God

Culture: Polynesian, Hawaii

Associated: The Underworld

Sacred Animal: the Devil Fish

Her role is shared with the chthonic goddess Miru.

She is depicted as a squid or an octopus. But just as often as a beautiful woman.

She was part of a group of spirits that were “spit out” by the gods.

Lead by Kanaloa, another spirit, they launched a rebellion against the gods but were defeated.

They were banished to the underworld.

The Ant

Ants are eusocial insects of the family Formicidae and, along with the related wasps and bees, belong to the order Hymenoptera. Ants evolved from vespoid wasp ancestors in the Cretaceous period, and diversified after the rise of flowering plants. It is estimated that there are roughly 22 thousand species of ant.

Ant society have a division of labor, communication between individuals, and the ability to solve complex problems

A symbol of diligence, patience, humility and foresight. In China, the  ant symbolized order and the tireless servant.

Its industry seen in the bible as a virtue is considered somewhat excessive in Hindu and Buddhist thought, thus becoming a symbol of the ceaseless, petty activity of those blind to the transience of human life.

In Mali ants were the beneficent organizers, originators of the skills of building and weaving and by the sympathetic magic their nest could bring fecundity.

Anteaters conversely symbolism harm and chaos.

In Greek mythology the Myrmidons were a nest of ants that Zeus transformed into humans. They were said to be among the most fierce and efficient armies in Greece.

In some southwestern tribes, ants played a more important mythological role-- in the Cahuilla creation myth, it was ants who spread the earth out for people ant animals to live upon, and in Hopi mythology, it was the Ant People who sheltered humans underground during the destruction of the First World.

In northern California tribes, ants were said to predict earthquakes, and it was considered taboo to disturb their nests. In South America, ants are more often portrayed as warriors in Indian legends, probably because of the painful sting inflicted by South American fire ants, and some Native South American initiation rites involve young people subjecting themselves to ant bites.

there are some southwestern tribes with Ant Clans, including the Hopi, Pueblo, and Akimel O'odham (Pima) tribes. Ant groupings were particularly important among the Pimas, where the people of every Pima village used to be divided into one Red Ant Clan and one White Ant Clan. The Cherokee also have an Ant Dance among their tribal dance traditions.

The Ant  is credited in North African myths with teaching the first humans about the uses of plants and grains.

The Berber and Kabyl tribes have a myth that tells the story of the wise ant that helped the first humans. Teaching them to cook grains in spring water. gave them directions for grinding the grain into flour. he showed them how to start a fire with stones, dried grass and wood, and a flint stone. The Ants taught them to bake bread.

It was the ant that directed man to save seeds and to plant them in the rainy season.

In the mythology of the Kuba People of Conga Nyonye Ngaga, the eldest son of the creator god Bumba, is the creator of the humble ant.

He made billions of ants and died of fatigue. His effort would be the standard for ants work ethic.

 the ants were grateful to Nyonye Ngana for making them, and scurried into the earth to give him a decent burial. They’ve been busy doing that ever since.

colonies consist of various castes of sterile, wingless females, most of which are workers (ergates), as well as soldiers (dinergates) and other specialised groups. Nearly all ant colonies also have some fertile males called "drones" and one or more fertile females called "queens" (gynes). The colonies are described as superorganisms because the ants appear to operate as a unified entity, collectively working together to support the colony.

Ants have colonised almost every landmass on Earth. Ants thrive in most ecosystems and may form 15–25% of the terrestrial animal biomass.

The symbolism of the bull. Power potency fecundity, a protein symbol of divinity royalty and the elemental forces of nature.

 changing in significance between different epochs and cultures. In cave art the bull is second only to the horse as the most frequently painted image of vital energy.

As the incarnation of many Supreme eastern gods the bull was one of the most important sacrificial animals.

In ritual and iconography it has represented both the moon and the sun earth and the Sky rain and heat feminine procreation and male ardor.  Both death and regeneration.

As a symbol of death and resurrection it is central to mithraism a Persian cult popular in the Roman Empire. Myth rack sacrifices celebrated the sun God mithras slaughter of a primordial bull from whose blood and ***** spraying new life.

Bulls appear from northern Europe to India as an emblem of divine power especially linked with lunar solar and sky or storm gods including the Mesopotamia and EL who is bull horned and bow . The Egyptians Ra, Ausar,  Ptah who was incarnated as the sacred apis bull and Seth .

The Greek Zeus Dionysus and  Seibel. The Norse Thor and Freya . And the Hindu Indra Aditi,  Agni,  Rudra and Shiva.

Tibetan Buddhism has the bull headed fierce deity protector Yama Dharmaraja

The physical attributes of the bull underline much of its symbolism. Its horns or link with the Crescent moon its strength suggests a support for the world in Vedic and Islamic traditions it's prolific semanis stored by the moon in Persian myth.

 and its colossal dangerous energy was widely venerated notably in Minoan Crete. Were a dangerous ritualistic sport involved somersaulting over a bull's horns developed

The orchestrated ritual of modern bull fighting continues an ancient Mediterranean tradition of using the bull to flirt with death.

Crete is a setting of numerous later Greek bull miss most famously of the monstrous half man half bull the minotaur.

Zeus transformed himself into a bull in order to abduct Europia carrying her to Crete. A bull is thus one of the attributes of Zeus and may also symbolize the continent of Europe.

 A former beast the bull from ancient times became adversaries as well as icons. Challenging its power was a task of legendary heroes such as Heracles who captured another cretin bull as his 7th labor an fought Acilius in the guise of a bull.

 And Theseus who slew the minotaur.

The Bull of Heaven was a pawn of the goddess Inanna, and the vessel of her rage against the demi god Gilgamesh. She unleashed the bull on Earth, and he began a path of devastation. He was killed by Gilgamesh and his friend Enkidu.

 Blue symbolism of the color blue .

Blue is one of the three primary colours of pigments in painting and traditional colour theory, as well as in the RGB colour model. It lies between violet and green on the spectrum of visible light. The eye perceives blue when observing light with a dominant wavelength between approximately 450 and 495 nanometres.

Blue symbolizes Infinity, eternity, truth, devotion, faith, purity, chastity, peace, spiritual, and intellectual life . It is the color of the ocean and the sky; it often symbolizes serenity, stability, inspiration,wisdom or health. It can be a calming color, and symbolize reliability.

cultures associations that appear in many ancient cultures and expressed a general feeling that blue, the color of the Sky, is the coolest most attached and least material of all hues.

The Virgin Mary and Christ are often shown wearing blue and it is the attribute of many Sky gods including Amun of  kemitic beliefs,   the Sumerian great mother,  the Greek Zeus and Hera,  the Hindu gods Indra and Vishnu and Vishnu’s blue skinned incarnation Krishna.

Blue is linked to mercy in Hebrew tradition and to wisdom in Buddhism .

 In folk tradition it stands in Europe for Fidelity in parts of China for scholarship and happy marriage and more recently the term Blues means melancholy or sad.

Hues of blue include indigo and ultramarine, closer to violet; pure blue, without any mixture of other colours; Cyan, which is midway in the spectrum between blue and green, and the other blue-greens turquoise, teal, and aquamarine.

Blue also varies in shade or tint; darker shades of blue contain black or grey, while lighter tints contain white. Darker shades of blue include ultramarine, cobalt blue, navy blue, and Prussian blue; while lighter tints include sky blue, azure, and Egyptian blue.

In Kemet blue was associated with the sky and with divinity. The Kemetic god Amun could make his skin blue so that he could fly, invisible, across the sky. Blue could also protect against evil; many people around the Mediterranean still wear a blue amulet, representing the eye of God, to protect them from misfortune.

Kauket

Classification: Primordial Goddess

Culture: Kemet

Kauket is one of the eight primordial deities of the Ogdoad cosmology.

She is representative of the chaos and darkness of pre existence of the universe.

She is paired with the god Kek  they appear in anthropomorphic form, Kauket with the head of the snake Kek, with the head of from. Some would argue that this ais a reference to binary code

Nun  and his wife Naunet symbolized the primordial waters

 Kuk and Kauket   represented darkness.

Huh and Hauhet the eternity of space.

Amun and Amaunet represent invisibility or the hidden.

As cosmic gods they are represented in anthropomorphic form. They are also sometimes conceived as chthonic animals the male gods appearing as frogs the female as snakes.

The pair epitomized the primordial darkness. The chaos existed without the light, and thus Kek and Kauket came to represent this darkness. They also symbolized obscurity, the kind of obscurity that went with darkness, and night.

She was depicted greeting the rising sun in the form of a baboon

Mithra

God of the Upper air

Culture Persian/Iranian

Known period of worship circa 400 bc to 200 common era.

Aliases Mitra (Hindu) Mithras (Roman)

Cult Center Persian influence

Literary Sources: The Avesta  The Avesta is the primary collection of religious texts of Zoroastrianism, composed in Avestan language.

commonly known as Mehr, is the Zoroastrian angelic divinity (yazata) of covenant, light, and oath.

Originating in India Mitra is a god of light who is translated in the attended of the God Ahura Mazda in the light religion of Persian. From this he was adopted into the Roman deity Mithras. He is regarded as the fertilizing power of warm light air. According to the Avesta, he possesses 10,000  eyes and ears and rides in a magical chariot.

He represent truth in the endless battle between light and darkness. He is responsible for keeping oaths and contracts.  In addition to being the divinity of contracts, Mithra is also a judicial figure, an all-seeing protector of Truth, and the guardian of cattle, the harvest, and of the Waters.

He was born from a rock, and legends tells us that he engaged in a primeval battle with Ahura Mazda’s first creation, a wild bull.

He subdued and restrained the bull. A crucial victory in the battle against chaos. The bull later escaped but was captured by Mithra who slit his throat. From his blood sprang the first plant life.

Mitra is not worshipped on his own but served as the intercessor between gods and men he was an integral part of the worship.

Modimo  - he who control the light and darkness

Classification – Creator God

Culture Tswana (Botswana, South Africa)

Associated: Creation of life, the balance of the universe

Supreme God of the Tswana. His very name is sacred,

Modimo and the universe have always existed, He is received as the river of existence which flows through space and time. He rules both aspects of light and dark opposite as well as the order of lie on Earth.

The Badimo of which there are many, are manifestations of him. Most of the Tswana people’s daily deity needs are met by the Badimo spirits, who act as Modimo’s little helpers and also ensure that rituals are performed correctly.