Before Ripley became the icon, before the xenomorph redefined sci-fi horror, there was Parker — the only one who saw the betrayal coming.
Played by the legendary Yaphet Kotto, Parker wasn’t just an engineer on the Nostromo. He was the first woke brother in space. He challenged authority, questioned the mission, and dared to ask the question everyone else ignored:
“Can we talk about the bonus situation?”
This video dives into Parker’s legacy in Alien (1979) — not just as comic relief or side character, but as the spiritual voice of resistance, labor awareness, and unapologetic truth-telling in the face of corporate sacrifice.
This is a tribute to one of sci-fi’s most important and underrated heroes.
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👷🏿♂️ #BlackSciFiHeroes
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Can we talk about this bonus situation?
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Before Ripley
became the face of the alien franchise.
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00:00:07,600 --> 00:00:11,700
Before the Xenomorph
itself, to find horror, there was Parker.
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00:00:12,566 --> 00:00:13,500
Play by play.
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Koto.
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00:00:13,966 --> 00:00:15,833
No, he wasn't the captain.
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00:00:15,833 --> 00:00:17,733
He wasn't the final girl.
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00:00:17,733 --> 00:00:20,933
But he was the one who told the truth
from the start.
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00:00:21,300 --> 00:00:23,833
While the others were following orders.
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00:00:23,833 --> 00:00:27,500
Parker asked the question that own
the only question actually matter
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00:00:27,866 --> 00:00:31,300
was the bonus situation before Mace Windu,
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00:00:31,300 --> 00:00:35,133
before Finn, before book from Firefly,
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00:00:35,366 --> 00:00:38,933
there was Parker,
the first woke brother in space.
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00:00:39,700 --> 00:00:42,866
Now, from the first act of alien, Parker
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00:00:42,866 --> 00:00:46,900
is not worried about aliens, androids,
or chain of command.
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00:00:47,133 --> 00:00:49,533
He was worried about getting played.
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00:00:49,533 --> 00:00:52,666
He points out the company's game
before anybody else.
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00:00:52,900 --> 00:00:55,900
So while everybody else is following
protocols,
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he's like,
can we talk about this bonus situation?
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The translation was,
are they about to screw us?
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Because Parker understood
something that the others didn't.
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When you're working class in a corporate
machine, monsters come with no pads.
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00:01:11,066 --> 00:01:12,533
Parker wasn't engineer.
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He was a fixer.
The man in the guts of the ship.
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He wasn't there for glory.
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He was there to get his paper.
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And that it made him selfish.
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That made him just very real.
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He understood the grind, the hustle,
the risk of being left behind out here.
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He also saw through
this illusion of authority.
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Dallas was completely out of his depth.
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00:01:33,400 --> 00:01:36,933
Ashe was clearly a corporate machine,
literally, and company.
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All right.
They're not even talking to us. Right?
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Yap at Koto
gave us something in that character.
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This unflinching class consciousness.
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00:01:44,500 --> 00:01:48,600
He was aware in a movie
where trust breaks down and betrayal
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just oozes from every vent.
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Parker remains loyal
not to the company, but to his people.
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00:01:54,566 --> 00:01:56,033
He protects Lambert.
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00:01:56,033 --> 00:01:58,800
He challenges Ripley
without undermining her.
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00:01:58,800 --> 00:02:03,666
And when ass was revealed to truly be an
android traitor, he doesn't even hesitate.
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He handles their business.
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This moment is not about here wisdom.
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00:02:07,533 --> 00:02:09,133
It's about refusal.
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00:02:09,133 --> 00:02:11,200
His refusal to be sacrifice.
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00:02:11,200 --> 00:02:16,233
Refusal to accept that the company gets
to decide who lives or dies.
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00:02:16,500 --> 00:02:19,633
Yaphet Kotto was not just acting,
he was making a statement.
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00:02:19,666 --> 00:02:22,766
He refused to play Parker as a sidekick
or a fool.
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00:02:23,033 --> 00:02:26,366
He gave him depth, humor
and righteous anger.
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00:02:26,600 --> 00:02:27,933
And in fact, y'all pet.
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00:02:27,933 --> 00:02:30,333
Kotto
often said that he fought the script.
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00:02:30,333 --> 00:02:34,566
He refused to let Parker be a token
or just a disposable piece.
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And because of that, Parker
becomes something rare inside
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by a black man
with agency, intelligence, and resistance
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in his genre that too often kills off
people that look like him first.
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00:02:47,066 --> 00:02:50,800
Parker doesn't, you know, Brother Parker
doesn't ultimately survive the alien.
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00:02:51,033 --> 00:02:53,466
But what he represents does.
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He's the voice of that question.
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The worker who demands answers.
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He knows that the real monster isn't
one of the claws.
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It's the one with the logo
and the mission directory.
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And if Ripley represents survival,
then Parker represents awareness.
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Yup, yup. It gave us one the most.
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Yaphet Kotto gave us one of the most
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quietly powerful performances
in sci fi history.
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Not because Parker was loud,
but because Parker never lied to himself.
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Stay woke.
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